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DescriptionRussell Brand learned early on to make a joke of fear and failure. From a troubled childhood in industrial Essex, England, to his descent into addictions to alcohol, drugs, and sex in the seamy underbelly of London, Brand has seen his share of both and miraculously lived to tell the tale. In My Booky Wook he leads readers on a rollicking journey through his disastrous school career, his infamous antics on MTV, and his multifarious sexual adventures. But this irreverent memoir is a story not simply of struggle but also of redemption, a testament to the difficulty of discovering what you want from life and the remarkable power of a bloody-minded determination to get it. My Booky Wook is a giddy trip through the brilliant mind of one of Britain's most valuable exports. If you like this title, you might also like...
ExcerptsChapter One ... April Fool On the morning of April Fools' Day, 2005, I woke up in a sexual addiction treatment center in a suburb of Philadelphia. As I limped out of the drab dog's bed in which I was expected to sleep for the next thirty wankless nights, I observed the previous incumbent had left a thread of unravelled dental floss by the pillow—most likely as a noose for his poor, famished dinkle. When I'd arrived the day before, the counselors had taken away my copy of the Guardian, as there was a depiction of the Venus de Milo on the front page of the Culture section, but let me keep the Sun, which obviously had a Page 3 lovely. What kind of pervert police force censors a truncated sculpture but lets Keeley Hazell pass without question? "Blimey, this devious swine's got a picture of a concrete bird with no arms—hanging's too good for him, to the incinerator! Keep that picture of stunner Keeley though." If they were to censor London Town they would ignore Soho but think that the statue of Alison Lapper in Trafalgar Square had been commissioned by Caligula. Being all holed up in the aptly named KeyStone clinic (while the facility did not have its own uniformed police force, the suggestion of bungling silent film cops is appropriate) was an all too familiar drag. Not that I'd ever been incarcerated in sex chokey before, lord no, but it was the umpteenth time that I'd been confronted with the galling reality that there are things over which I have no control and people who can force their will upon you. Teachers, sex police, actual police, drug counselors; people who can make you sit in a drugless, sexless cell either real or metaphorical and ponder the actuality of life's solitary essence. In the end it's just you. Alone. Who needs that grim reality stuffed into their noggin of a morning? Not me. I couldn't even distract myself with a wank over that gorgeous slag Venus de Milo; well, she's asking for it, going out all nude, not even wearing any arms. The necessity for harsh self-assessment and acceptance of death's inevitability wasn't the only thing I hated about that KeyStone place. No, those two troubling factors vied for supremacy with multitudinous bastard truths. I hated my fucking bed: the mattress was sponge, and you had to stretch your own sheet over this miserable little single divan in the corner of the room. And I hated the fucking room itself where the strangled urges of onanism clung to the walls like mildew. I particularly hated the American gray squirrels that were running around outside—just free, like idiots, giggling and touching each other in the early spring sunshine. The triumph of these little divs over our indigenous, noble, red, British squirrel had become a searing metaphor for my own subjugation at the hands of the anti-fuck-Yanks. To make my surrender to conformity more official I was obliged to sign this thing (see page 6). I wish I'd been photographed signing it like when a footballer joins a new team grinning and holding a pen. Or that I'd got an attorney to go through it with a fine-tooth comb: "You're gonna have to remove that no bumming clause," I imagine him saying. Most likely you're right curious as to why a fella who plainly enjoys how's yer father as much as I do would go on a special holiday to "sex camp" (which is a misleading title as the main thrust of their creed is "no fucking"). The short answer is I was forced. The long answer is this... Many people are skeptical about the idea of what I like to call "sexy addiction," thinking it a spurious notion, invented primarily to help Hollywood film stars evade responsibility for their unrestrained priapic excesses. But I reckon there is such a thing. Addiction, by... About the AuthorRussell Brand is a comedian, journalist, TV and radio host, and actor. He captivated audiences in Forgetting Sarah Marshall and hosted the 2008 MTV Video Music Awards. He has won numerous awards in Britain, including Time Out (London)'s "Comedian of the Year," "Most Stylish Man" at GQ's Men of the Year Awards, and the Sun's "Shagger of the Year." He is a frequent guest on nighttime television. Digital Rights Information
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